Site responsive installation commissioned by Rufford Abbey Country Park in 2015.  This large scale mirror with plug represented the historical context of the site and Lake Nemi, also known as Diana's Mirror.

Larry was selected to be part of the RA Summer Exhibition 2019. He can be seen here in Gallery III - just to the left of the main large piece by David Hepher. Larry is the lamb 2 down from the top! Image courtesy of the RA.

Part of the Consider Constable series

Part of site-responsive installation at the Apsidal Gallery, Rufford Abbey Country Park in 2015.

Part of a site-responsive installation at the Apsidal Gallery, Rufford Abbey Country Park, 2015.

Windmill Field represented all the 'fallen' windmills and millers that once were a main feature of the Lincolnshire landscape. It formed part of a large-scale site responsive installation at Ayscoughfee Hall. This solo exhibition was the culmination of my Since Sliced Bread project in 2014, funded by the Arts Council.

'Flours' in the large-scale site-responsive solo exhibition at Ayscoughfee Hall, part of the Since Sliced Bread project

Part of a large-scale site responsive installation at Ayscoughfee Hall. This solo exhibition was the culmination of my Since Sliced Bread project, funded by the Arts Council.

This poem formed part of a large-scale site responsive installation at Ayscoughfee Hall. This solo exhibition was the culmination of my Since Sliced Bread project, funded by the Arts Council.

Ayscoughfee Hall - a large-scale site-responsive solo exhibition and installation in 2014 as part of my Arts Council funded Since Sliced Bread project

'Flours' in the large-scale site-responsive solo exhibition at Ayscoughfee Hall, funded by the Arts Council in 2014 as part of my Since Sliced Bread project

Part of the Consider Constable series

'Reader’s Digest'- a landscape of flour and words,  at the 159th Royal West Academy show 2011.

During this residency, Fi was drawing and mark-making in the flour gardens using items found in the kitchen cupboard and around the house.

It was important to Fi that the mark-making was both spontaneous and ritualistic to evoke the feeling and philosophies behind Japanese Zen gardens.

This residency built on Fi’s other works Ruminate and Reader’s Digest and provided a platform for looking at both the ephemerality and permanence of thoughts.

Throughout the residency, Fi produced both large and small-scale images; some of which will form the content for the artist’s book .

'You are what you Eat' and other prints were selected for the Candid Arts Trust exhibition in Berlin.

The exhibition took place between 3rd – 18th May 2012 at Universität der Künste Berlin.

Close up of Sift a large-scale installation at Wirksworth Festival in 2011. 

Site responsive large-scale flour installation, 2011

Ruminate playfully reflects on the idea that everyday thinking, just like the daily slice can become habitual and the ‘wisdom’ eaten and ‘ingested’ without question, yet the number of contradictory proverbs that exist in all cultures highlight the infinite number of ways we could choose to make and eat the daily bread.

Ruminate is a sequence of images that lead from one to another as a literal or implied narration unfolds

Tsukiyama is one of my 'flourscapes'.

All Purpose is a triptych created out of flour and bread.

During this residency at Harrington Mill Studios in 2010, Fi was drawing and mark-making in the flour gardens using items found in the kitchen cupboard and around the house.

It was important to Fi that the mark-making was both spontaneous and ritualistic to evoke the feeling and philosophies behind Japanese Zen gardens.

This residency built on Fi’s other works Ruminate and Reader’s Digest and provided a platform for looking at both the ephemerality and permanence of thoughts.

Throughout the residency, Fi produced both large and small-scale images; some of which will form the content for the artist’s book .

Image credit:Claire

A site-responsive large-scale flour installation at Wirksworth Festival in 2011.  Image courtesy of the festival.

A Ruminate triptych was exhibited in Cork Street in 2011.

Andy at Deda Derby summer exhibition, 2016.

Something and Nothing, an installation at the International Association of Quantum Artist’s show in York in 2012.

Close up of crEdible at the Being British Exhibition, Stamford, 2012.

These 'facts on sacks' were part of a site-responsive installation at Moulton Windmill in May 2014. This solo exhibition took place as part of  my Since Sliced Bread project, funded by the Arts Council.

A short drama “A married woman is nothing but trouble…the King is Dead“ The story of a loner named Sid, a man who detaches himself from the real world and sinks into an existence of romantic television and his own off-ball thoughts. His rapidly growing fantasies attempt to manifest his life-long desire to be loved.

Produced by Fi on a budget of £500 with a cast of 4 and crew of 6

Ruminate playfully reflects on the idea that everyday thinking, just like the daily slice can become habitual and the ‘wisdom’ eaten and ‘ingested’ without question, yet the number of contradictory proverbs that exist in all cultures highlight the infinite number of ways we could choose to make and eat the daily bread.

Ruminate is a sequence of images that lead from one to another as a literal or implied narration unfolds

Ruminate can be seen in film and image form as part of the Synapse Festival. Ruminate is a play on ‘you are what you eat’ and that  ‘man cannot live by bread alone’.

A new edit of Empty Mind was screened by the BBC at Glastonbury 2010.  See the original video.

Empty Mind explores the relationship between life and water by focusing on martial arts. Empty Mind represents different frames of mind and their influences on physical energy; it also reflects on the cyclical ever-changing aspects of the water cycle. Empty Mind was partly inspired by the following words, which have been attributed to Bruce Lee.

Empty your mind, be formless, shapeless like water. If you put water in a cup it becomes the cup, if you put water in a teapot, it becomes the teapot….Now water can flow or it can crash! Be water my friend! – Bruce Lee

Readers Digest at the Tarpey Gallery, 2011.

Large-scale outdoor site-responsive film installation in Nottingham City Centre.

Prana represents the direct relationship between life being in balance and the philosophies and practice of yoga. Prana was directed, produced and edited by Fi.

Based on the theme of Synaesthesia, this film takes the idea of a positive chain reaction forming from the sensory responses of Synaesthetes, resulting in a cake recipe. Correlation 360 is also available on DVD as part of the Critical Mass collection on the Threshold Studio’s ebay shop.

Correlation 360 was directed, produced and edited by Fi. Soundtracks composed by Geoff Litherland.

Based on the theme of Synaesthesia, this 2nd film takes the idea of a positive chain reaction forming from the sensory responses of Synaesthetes. It relates to how all things change either through time or perception. Correlation 360 is also available on DVD as part of the Critical Mass collection on the Threshold Studio’s ebay shop.

Correlation 360 was directed, produced and edited by Fi. Soundtracks composed by Geoff Litherland.

Delighted to have Truth Without Words included in Penyschnant's first exhibition in Summer 2024. This is a hidden gem of a place nestled in the Carneddau mountains in North Wales.